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Storytelling That Sticks: Connect, Inspire, Lead

Podcast by Beta You with Alex and Michelle

Win Hearts, Change Minds, Get Results

Introduction

Part 1

Alex: Hey everyone, welcome back Today we're getting into something incredibly powerful—storytelling It's way more than just entertainment; it's how we connect, how we get our points across, and honestly, how we shape the world around us Michelle: Exactly, Alex Let's face it – whether you're trying to sell an idea, get a team on board, or, you know, just make a good impression, storytelling is key But is it really as easy as just spinning a good yarn? Alex: That's where Rob Biesenbach's book, “Unleash the Power of Storytelling”, comes in It’s a fantastic guide to understanding how stories affect us on a neurological level, why they hit us emotionally, and how we can use them in real situations – personal branding, leadership, even giving a memorable speech It's all about creating stories that are real, genuine, and connect with people in an honest way Michelle: Okay, sounds promising So, we're going to dig into three main things today, right? First off, the hard science – how our brains are basically wired to love a good story Alex: Yep Then, we'll move on to the practical stuff – how stories can inspire others, get teams working together, and even change how you lead, or your whole workplace for that matter Michelle: And of course, the tricky part: ethics Where's the line between telling a great story and, well, twisting the truth? Can you be truly authentic while still using stories strategically? Alex: Think of this episode as your guide to becoming a master storyteller – responsibly We’re going from brain science to the boardroom, giving you real takeaways for making your stories more powerful and “really” meaningful Ready to get started, Michelle? Michelle: Absolutely, Alex Let's unpack this!

The Power of Storytelling

Part 2

Alex: Okay, Michelle, let’s dive into the biology of storytelling—why exactly are we so drawn to them? And it’s not just about enjoying stories; our brains are actually hardwired to respond. Michelle: Hardwired, huh? So, you’re telling me there's some kind of storytelling blueprint encoded within our DNA? Alex: Well, not a blueprint, exactly, but pretty close! According to neuroscientist Paul Zak, stories activate multiple areas in the brain. That's why they have more impact than just facts and figures. He specifically talks about oxytocin, a neurotransmitter our brains release when we hear compelling narratives. Now, this is the same chemical that’s linked to trust and empathy. So, basically, when you hear a really good story, you feel connected to the storyteller. It’s almost like your brains are syncing up. Michelle: Alright, so if I'm understanding correctly, if I craft a killer story, I can subtly influence my audience to trust me, and they won't even know why? Alex: <Laughs> I wouldn't go that far, Michelle. It's not about tricking people. It's about creating a deeper, emotional connection. Take Nancy Duarte, for example. She explains how stories can simulate real-life experiences for the audience. All the tension, the resolution—those create very real, physical reactions. People can feel adrenaline, dopamine, even relief, depending on the narrative. Michelle: So, you're saying that hearing a great story is almost like living it? Alex: Precisely! That's why a story is far more memorable than a spreadsheet. You're not just consuming data. You're experiencing something. Like Duarte said, the best storytellers, they leave a lasting impression. Michelle: Interesting. But let's be real, a lot of stories just don't land. What's the secret sauce to making a story memorable? It can’t be as simple as sprinkling in some oxytocin. Alex: You’re right! That's where Rob Biesenbach’s six key elements come in. Emotion, relatability, connection, humanity, stakes, and action. These are the ingredients that elevate a story beyond just being, you know, “meh.” Michelle: Okay, let’s break those down. Emotion seems pretty obvious, right? Tugging at heartstrings. But is there a risk that emotional stories become overly sappy, or even manipulative? Alex: Sure, that's a risk. But think about the example of the food bank worker. Remember, her story about her personal experience with hunger, that didn’t just make people feel something—it spurred them to take action. That's the power of authentic emotion. It's not about being overly dramatic. It’s about connecting to the audience's shared feelings. Michelle: Okay, emotion makes sense. Then there's relatability. You mentioned Estela earlier, the candy factory worker whose kids call her the "Candy Lady." What makes her relatable? Alex: Because she embodies universal experiences. The daily routine, the “reliability,” the juggling of work and family life. People see themselves in her struggles, and her small wins. Michelle: Right. So, relatability draws us in, makes us care. Then comes connection. How is connection different from relatability? Alex: That’s a great question. Relatability is about seeing yourself mirrored in the story. Connection, on the other hand, is about the shared human experiences that tie us together. Think of an IT worker venting about tech problems at work. Who hasn’t been there, right? That shared frustration builds camaraderie. Michelle: Got it. Humanity is next on the list. From what you said, it sounds like really effective storytelling requires being vulnerable, right? Alex: Exactly! Humanity means pulling back the curtain, letting others see your less-than-perfect moments. Vulnerability is deeply relatable and, what's more, it builds trust. Even in professional contexts, when people hear a leader say, "I was scared, I stumbled along the way," it makes their achievements feel far more authentic. Michelle: Vulnerability. Tricky, especially in highly competitive environments, and yet… it works. Okay, so we've got emotion, relatability, connection, and humanity. Stakes are next up. Tell me more about this whole idea of "stakes" and why I should even care about them? Alex: Stakes are what keep the audience engaged. Without them, there's no tension, no urgency. Remember Estela? She wasn’t simply inspecting candy—she had a clear goal and a real potential loss. If she failed, that would risk a defect slipping through, which would threaten her kids' trust in her. Stakes add weight to stories, and those make the audience root for the protagonist simply because something important is on the line. Michelle: So, basically, the higher the stakes, the more engaged the audience is likely to be. Makes sense. Last piece here, "action." Everyone likes to say "show, don't tell," but can you give me a solid example of how that makes a story more powerful? Alex: Sure. Instead of just saying Estela worked hard, you show what she did. Halting the production line to personally check packages, quietly fixing minor issues. By describing her actions, the audience sees her dedication, no explanation needed. They feel it, which, quite simply, is more impactful. Michelle: Makes sense. Because you're drawing us in, making us witness what's happening, rather than just hear the conclusion. Alex: Exactly. When all six elements are working together—emotion, relatability, connection, humanity, stakes, and action—you move beyond just being interesting. You create a story that sticks. Michelle: Speaking of sticking, Chrysler’s “Halftime in America” speech has to be the ultimate example of storytelling with purpose.

Applied Storytelling in Professional Contexts

Part 3

Alex: Okay, so now that we’ve really dug into why storytelling is so powerful, let’s talk about how to actually use it effectively at work. I mean, we're taking these concepts and making them actionable, right? Michelle: Exactly! Less about the theory and more about the, you know, “doing”. How do you take this “warm and fuzzy” stuff and actually inspire a team or sell a product? That's the real challenge. Alex: Totally. Let’s kick things off with how storytelling can really reshape team dynamics and leadership. Remember Estela, the candy package inspector from Biesenbach's book? Michelle: Ah, the "Candy Lady"! Her kids came up with that nickname, right? I’m guessing there’s more to her story than just inspecting candy... Alex: Absolutely! It highlights how even seemingly routine roles can be infused with meaning. For Estela, her kids' love for what she did fueled her commitment to quality—every package was personal. So, instead of just talking abstractly about quality control, the leadership team shared her story. Michelle: Right, so instead of just hitting them with productivity numbers, they use her story to connect on a human level. Pretty smart. Alex: Exactly! Stories like Estela’s cut through the noise and connect people emotionally to the company's mission. It transforms corporate values from abstract ideas into something tangible and human. Any leader can do this—it’s all about finding those stories within your team. Michelle: Okay, fair enough. This is great for rallying the troops. But how do you use storytelling to handle skepticism, especially when your team thinks you're out of touch? Alex: That's a good one! Biesenbach talks about a sales executive who faced exactly that. Her team thought she didn't get the grind of cold calling. So, instead of giving advice from on high, she told them about her own early failures and fears when she was in sales. Michelle: Ah, vulnerability. Always disarming. So, the team probably thought, "Okay, she gets it." Alex: Exactly! Owning her struggles built trust. She wasn't just some executive throwing out directives—she was a human who'd faced the same hurdles. That story inspired them to push through their own discomfort. Michelle: Yeah, that’s what I like about this—it's not about being perfect, it's about being real. So, let’s switch gears to presentations. How do you scale this up in front of a room full of people? Alex: By thoughtfully weaving a story into your presentation. The structure Biesenbach recommends starts with a key insight. Next, you bring in supporting evidence. But the key is to humanize your message with a story. And finally, you tie it all back to your main point. Michelle: Okay, got it. So, say I'm presenting on cybersecurity. Instead of showing stats about phishing emails, I could open with...a cautionary tale? Alex: Spot on! You could say, "Two years ago, 80% of our employees ignored the training, and here’s what happened." Then paint a picture of the chaos, the malware spreading, all because simple steps were missed. That story turns numbers into a concrete reality. Michelle: So, instead of "Ugh, the cybersecurity training again," they think, "I don't want that happening to me." It's more impactful. Alex: Exactly. It takes something people have heard a million times and makes them feel it. And when they feel it, they remember it. Michelle: Right. Let's go bigger: a company's origin story. Businesses love this “rags-to-riches” narrative, but what makes one good versus corporate fluff? Alex: A solid origin story starts with a relatable person—the founder, a key team member. Then, there’s a genuine, consequential challenge. And finally, the resolution and how that shaped the organization's purpose. For example, John Deere. It's not just, "We make plows." It's, "John Deere saw farmers struggling with tough soil and invented something that changed their lives." Michelle: It’s not just "what we make," it’s "why we make it." Another good one is Subway. The founder took out a $1,000 loan, not to build a global franchise, but to pay for medical school. That's ambition. Alex: And it resonates because it's so personal. But here's the catch: if companies try to over-polish their story or focus on dates and corporate jargon, it falls flat. Nobody connects with "In 1982, we achieved a five-percent market share." Michelle: Ugh, corporate history presentations. Death by PowerPoint. So, real people, real challenges, real emotion—ditch the buzzwords. Alex: Exactly! And that same applies to personal branding. When someone asks what drives you, don't just list skills. Tell a story like the insurance agent Biesenbach mentions. He lost a close friend who hadn't planned for his family's future. That drove him to dedicate his career to helping others avoid the same tragedy. Michelle: Wow. So people hear that and think, "This person actually believes in what they're doing. It’s not just a job." Alex: Exactly! Stories add depth. They remind people that behind every resume bullet point, there's a human with real motivations and values. Michelle: You know what, Alex? I might be a convert. This storytelling thing? It’s not just for campfire songs! Whether it's leading a team, pitching a project, or building trust, it’s a real tool.

The Ethical and Emotional Responsibilities of Storytelling

Part 4

Alex: Okay, with those professional uses in mind, let's dig into the ethical responsibilities and potential pitfalls storytellers face. Michelle: Ah, now we’re talking! This is what I've been waiting for. We've established that storytelling can be super effective. It can grab our attention, unify teams, and build brands. But… where’s the line? Is there a point where powerful “emotional storytelling” becomes… ethically questionable? Or worse, backfires completely? Alex: Exactly, Michelle. Storytelling is powerful, no doubt, but it needs a moral compass. Rob Biesenbach goes deep on things like authenticity, accountability, and the “Do No Harm” principle. Storytellers have influence, a lot of it, and that comes with the responsibility to be truthful, emotionally honest, and to avoid manipulation or exploitation. Michelle: Authenticity, emotional honesty… sounds great. But I imagine there are plenty of tricky situations. Where do you draw the line between simplifying a story for clarity and flat-out embellishing it? Alex: That’s “really” where ethical storytelling begins—walking that tightrope. Biesenbach uses the Montgomery Ward headquarters design as an example. For years, the stone-clad corners were this legendary, deliberate thing to support workers' well-being. A great narrative, huh? Except…it wasn’t true. The corners were just there for practical reasons—to handle Chicago’s crazy weather. Michelle: Wait, so they turned a basic engineering thing into this grand story about worker equality? Alex: Precisely. It might seem harmless enough, but it creates a "Legend Has It" problem. Eventually, people find out the truth, and trust gets damaged. Even small embellishments, as Biesenbach says, can snowball—especially now in this day and age, where audiences fact-check everything. It’s a cautionary tale: factual integrity “really”, “really” matters. Michelle: Right, nobody wants to be known as the "factually flexible" storyteller. But what about personal stories? Memories can be unreliable. How do you balance that? Alex: Good point. Our memories aren’t perfect, and distortion is a huge ethical challenge that Biesenbach points out. Remember Brian Williams, the journalist? He misremembered—or maybe exaggerated—a dangerous situation during his Iraq War reporting. So, he claimed his helicopter was under fire. The military exposed the lie, and his career took a nosedive. It wasn't just embarrassing, his credibility was completely gone. Michelle: One mistake, one bad memory, and you’re done. But, memory isn’t always intentional, Alex. Should storytellers be fact-checking their own brains? Swearing affidavits before they tell a story? Alex: <Laughs> Not quite. But storytellers absolutely need to verify their details, especially personal or historical ones. Talk to other people who were there, double-check timelines. It’s about taking initiative and being accountable. And if you’re not totally sure about something? Just say so upfront. Transparency keeps trust alive. Michelle: This transparency thing is interesting though. If storytelling is all about simplification and connection, doesn't pointing out every little tweak kind of ruin the magic? Alex: I don't think so. It’s a balancing act between creativity and respect for the facts. If, say, a storyteller condenses timelines or changes some tiny details to make the story flow better, they should tell the audience that they did it for clarity, not to deceive them. It’s not about killing the "magic"; it’s about keeping the trust. Michelle: Okay, trust, got it. Let’s switch gears to what Biesenbach calls "the tyranny of the narrative." If storytellers are too focused on a perfect, dramatic story arc, doesn't that oversimplify reality? Alex: Totally. That’s the danger of prioritizing drama over real substance. It can strip away important context. Biesenbach mentions the Mitt Romney campaign's blimp crash. Instead of seeing it as a story about resilience or the campaign's bigger picture, the media just turned it into a joke: "Oh, another campaign fail." The real story disappeared. Michelle: So, the joke overshadows the message. That’s super frustrating and kind of defeats the purpose. It's like boiling down a 300-page book to a tagline. Alex: Right. Ethical storytellers avoid that oversimplification. They don’t cut out details just to fit a convenient, neat narrative. Real life is complicated, and embracing that makes the stories more authentic and meaningful. Michelle: Got it—don't make it too simple just to make it easy. But what about emotion? Is there a temptation to go too far when trying to get an emotional reaction? You see ads all the time that feel manipulative, like they're exploiting people's feelings. Alex: That brings us to the "Do No Harm" principle. This rule is based on the medical Hippocratic Oath and is super important. Biesenbach stresses that storytellers have a responsibility to respect the dignity of their subjects and their audience. Manipulating emotions is not only unethical, but it also backfires. The minute people sense that you're being dishonest or exploitative, you've lost them. Michelle: So, instead of triggering guilt or shock, you’re saying storytellers should focus on genuine emotion. Give me an example. Alex: Look at the food bank worker's story. The fact that she went from needing help to providing it resonated because it was real. Her life wasn’t dramatized just to get pity, it was about empathy and truth. That real emotion inspired donations and volunteers. Manipulation wasn’t necessary because the truth was powerful enough. Michelle: Okay, I see. You don't have to fake tragedy to inspire. Authenticity is stronger than melodrama. Alex: Exactly. And Biesenbach has some specific things you can do to keep your storytelling ethical. Fact-checking, getting subjects involved in their own stories, and being transparent about any creative liberties you're taking all help maintain trust and credibility. It’s about keeping the story honest and respecting your audience. Michelle: Storytellers need to be fact-checkers, collaborators, and emotional strategists? Sounds like a lot to juggle, doesn’t it? Alex: It is, for sure, but it’s necessary to use the power of storytelling responsibly. Trust me, Michelle, when it’s done right, storytelling doesn’t just inform or entertain. It builds trust, connects people, and “really” makes a difference. Michelle: Got it. Ethos, pathos, and… a whole lot of effort to keep the operation clean. Ethical storytelling isn't easy, but maybe it’s supposed to be that way when you’re dealing with something so powerful.

Conclusion

Part 5

Alex: Wow, Michelle, what a ride! We dove into the neuroscience of storytelling—how it forges connections, sparks emotions, and cements memories, right? Then, we looked at how it’s used in the real world, from leadership to branding to just plain communication. And finally, we talked about the ethical tightrope we walk when we wield this powerful tool. Michelle: Exactly, Alex. If I had to boil it down, I’d say storytelling isn’t just a skill; it’s almost a duty. Whether you’re a leader uniting a team, a brand building loyalty, or just someone trying to make a genuine connection, the true magic happens when you’re honest and authentic. Alex: Couldn’t agree more. So, listeners, here’s something to chew on: every story you share—to inspire, inform, or bring people together—has the potential to shape the world around you. The question isn’t whether you “should” use storytelling, but “how” you’ll use it responsibly to make a real difference. Michelle: And how you'll mix creativity with, you know, doing the right thing. Because, as we’ve seen, the power of a story is in its truth, not in bending it, twisting it, or just outright making stuff up. So get out there, craft your story, and make it a story that deserves to be told. Alex: Beautifully put, Michelle. Thanks so much for tuning in, everyone. Until next time, keep your stories real and your connections meaningful. Stay inspired!

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