
Flip the Feedback Script
13 minThe Science and Art of Receiving Feedback Well (Even When It Is Off Base, Unfair, Poorly Delivered, and, Frankly, You’re Not in the Mood)
Golden Hook & Introduction
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Mark: A recent survey of HR leaders revealed something stunning: 58% of them gave their own company's performance review system a grade of C, D, or F. Michelle: Wait, hold on. The people who are in charge of the system think it's failing? More than half of them? Mark: Exactly. The very people designing and implementing our feedback culture are admitting it’s broken. What does that say about the feedback we're all getting? Michelle: It says we’re all flying blind. It’s this exact paradox that Douglas Stone and Sheila Heen tackle in their classic book, Thanks for the Feedback: The Science and Art of Receiving Feedback Well. Mark: And they argue that we've been focusing on the wrong problem. We spend billions of dollars training leaders how to give feedback, but almost no time teaching people how to receive it. Michelle: Right, and these aren't just any authors. They're both lecturers at Harvard Law School and founders of a major consulting group. They literally wrote the book on Difficult Conversations before this one. They've spent decades in the trenches of corporate and even international conflicts. So if even the experts admit the systems are broken, where do we even start? Mark: We start by flipping the script. The book’s radical idea is that the most important factor in your growth isn't how well others give you feedback. It's how well you pull the learning out of it, even when it's clumsy, unfair, or just plain wrong.
The Great Feedback Mix-Up: Why We're All Speaking Different Languages
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Michelle: Okay, "pulling the learning" sounds great in theory, but what does that actually mean? When my boss gives me vague feedback, it just feels confusing. Mark: Well, the authors say the confusion often starts because we're having three different conversations disguised as one. They argue all feedback falls into one of three buckets: Appreciation, Coaching, and Evaluation. Michelle: Appreciation, Coaching, Evaluation. Okay, break those down. Mark: Appreciation is about connection and motivation. It’s "Thanks, I see you, and I value your work." Coaching is about helping someone improve. It’s "Here's a better way to do this." And Evaluation is the one we all dread. It’s the report card. It tells you where you stand, how you measure up against expectations. Michelle: And the problem is when we get one but we're desperate for another. Mark: Precisely. The book tells the story of Margie, a dedicated employee who’s anxious about her annual review. She’s been working incredibly hard, putting in extra hours, and she’s hoping for some recognition, some appreciation. Michelle: Oh, I know this feeling. You just want someone to say, "Wow, you killed it this year." Mark: Exactly. But her manager delivers the assessment: "Meets Expectations." And Margie is crushed. She interprets it as a total lack of appreciation. She hears, "You're not valued here. You're just a cog in the machine." Her motivation plummets. Michelle: Oh, that is so real. You work your tail off all year, and 'Meets Expectations' feels like a slap in the face. You're not hearing 'you're doing fine,' you're hearing 'you're not special.' Her manager was giving her an evaluation, but she was starving for appreciation. Mark: And that’s the mix-up. The wires get crossed. The manager thinks he’s delivering a perfectly reasonable assessment, while Margie feels completely unseen and undervalued. The book argues that this simple misalignment is the source of so much workplace angst. Michelle: So is the solution just to ask which type of feedback we're getting? "Excuse me, boss, is this appreciation, coaching, or are you about to crush my soul with an evaluation?" Seems a little... clinical. Mark: That’s a great point, and it's why just knowing the types isn’t enough. Because even if you know it's coaching, your brain can still get hijacked. The authors say this happens because of three specific, predictable, and universal 'triggers'.
The Unholy Trinity: Decoding the Three Triggers That Hijack Our Brains
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Michelle: Okay, "triggers." This is where the pop psychology alarm bells start ringing for me. Mark: I hear you, but they frame it in a really practical way. It’s not about being overly sensitive; it’s about predictable neurological and emotional responses. The first one is the Truth Trigger. Michelle: The Truth Trigger. Let me guess: this is when someone gives you feedback and your brain just screams, "THAT'S WRONG!" Mark: You got it. It's an intellectual rejection of the feedback's content. The book gives a great example of a woman named Miriam. After a family bar mitzvah, her husband says to her, "You know, you were kind of unfriendly and aloof tonight." Michelle: Ouch. Mark: Miriam is instantly indignant. She thinks, "Aloof? I talked to your boring uncle for twenty minutes! I helped set up the dessert table! What did you want me to do, a tap dance?" She dismisses the feedback entirely because, in her mind, it's factually incorrect. Michelle: Okay, but what if the feedback is just wrong? Like with Miriam, maybe she wasn't aloof! Why shouldn't she reject it? Mark: The book's point isn't that you have to accept it as true. It's that the instant rejection, the "wrong-spotting," shuts down any possibility of learning. Maybe "aloof" was the wrong word, but what was her husband actually seeing? Was she on her phone a lot? Did she seem distracted? The trigger makes us fight the label instead of exploring the data behind it. Michelle: Ah, I see. So the trigger isn't the disagreement, it's the conversation-ending rejection. Okay, what's the second one? Mark: The second is the Relationship Trigger. This one is all about the person giving the feedback. It’s less about what they’re saying and more about who is saying it and how. Michelle: Oh, I know this one. This is the "I can't hear what you're saying because of who is saying it" problem. It’s the manager who you don't respect, or the relative who has no business commenting on your life choices. Mark: Exactly. And it often leads to what the authors call "switchtracking." This is one of my favorite concepts in the book. A conversation is going down one track, and then someone throws a switch and suddenly you're on a completely different track, talking about a different issue entirely. Michelle: A conversational bait-and-switch. Mark: Perfect analogy. The book uses a hilarious and painful story from the sitcom Lucky Louie. Louie comes home with red roses for his wife, Kim. She looks at them and says, "You know I don't like red roses." Michelle: Yikes. Not the romantic moment he was hoping for. Mark: Not at all. So Louie gets defensive. His topic is: "You are so ungrateful! I bring you flowers and this is the thanks I get?" That's Track One. But Kim immediately switchtracks. Her topic is: "This isn't about gratitude! This is about the fact that you never listen to me! I've told you a dozen times I don't like red roses!" That's Track Two. Michelle: And now they're in two separate conversations, yelling past each other. He's talking about the roses, she's talking about their entire relationship history. Mark: And neither feels heard. He wants appreciation for the gesture; she wants to be known and listened to. The feedback—"I don't like red roses"—is completely lost. Michelle: Okay, the Louie and Kim story is brilliant. But in that moment, you can't just ignore the 'who.' The fact that he never listens is the real issue, not the roses! Mark: And the book agrees! The relationship issue is valid and important. The key is to not let it derail the original topic. You have to disentangle them. The authors suggest "signposting"—saying something like, "I want to talk about how I feel you don't listen to me. That's really important. But first, can we finish talking about the roses?" You give each topic its own track. Michelle: That requires a level of mindfulness that feels superhuman in the middle of a fight. Okay, what's the third trigger? You said this one is the final boss. Mark: It is. It's the Identity Trigger. This is when feedback threatens our sense of who we are. It’s not about what we did; it’s about our character, our competence, our worthiness. Michelle: This is the one that feels like a punch to the gut. Mark: It is. The book tells the story of Annabelle, a brilliant and hardworking employee. She gets 360-degree feedback saying her team finds her "impatient" and "disrespectful." Annabelle is horrified. Her identity is built on being a competent, charming, and effective professional. Michelle: So the feedback isn't just a comment on her behavior; it's an attack on her entire self-concept. Mark: Exactly. She thinks, "I'm not a disrespectful person! I'm a good person! If they think I'm disrespectful, then maybe I'm a fraud. Maybe I'm not who I thought I was." Her identity is destabilized, and she's overwhelmed by shame and confusion. She can't learn anything because she's too busy trying to hold her sense of self together. Michelle: This one feels like the hardest to overcome. If feedback attacks who you are, how do you not just shut down completely?
The Growth Identity: How to Rewire Your Response and Actually Learn Something
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Mark: Exactly. And that's the book's most powerful idea. You don't fight the identity trigger by building thicker skin. You do it by building a different kind of identity—what the authors, drawing on the work of psychologist Carol Dweck, call a "growth identity." Michelle: A growth mindset, right? The idea that your abilities aren't fixed, but can be developed. Mark: Precisely. A person with a fixed identity hears "You're impatient" and thinks "I am a bad, impatient person." A person with a growth identity hears "You're impatient" and thinks, "Okay, that's a skill I can work on. That's data." The feedback isn't a verdict on their character; it's just information. Michelle: That's a huge mental shift. It's moving from "I am" to "I do." But how do you actually make that shift when you're feeling attacked? Mark: The book offers a few incredibly practical tools. The first is a simple verbal habit to defuse a Truth Trigger. Instead of reacting with "That's wrong," you train yourself to ask, "Tell me more." Michelle: "Tell me more." It's so simple. Mark: Deceptively simple. It forces you to switch from judgment to curiosity. It doesn't mean you agree, but it opens a door to understanding. You're asking for the data behind their conclusion. "Tell me more about what you saw that made you feel I was aloof." Suddenly, you're not fighting a label; you're exploring a perspective. Michelle: I like that. It's a conversational de-escalation tool. What's the other big one? Mark: The other big one is for tackling that Identity Trigger. It's the concept of giving yourself a "second score." Michelle: A second score? What does that mean? Mark: It means you separate the feedback itself from how you handle it. The book tells a great story about two aspiring filmmakers, Mel and Melinda. They pour their hearts into a YouTube video, post it, and it gets absolutely savaged in the comments. It's a total failure. Michelle: Ouch. That's a tough first score. A big fat F. Mark: A big fat F. And Mel can't handle it. He gets defensive, angry. He blames the audience: "They're idiots! They don't get our genius!" He gets stuck in his identity as a misunderstood artist. He fails the first score, and he fails to learn anything. Michelle: And Melinda? Mark: Melinda is also crushed. But after a day of feeling awful, she starts to wonder. She asks, "What can we learn from this?" She starts analyzing the comments, looking for patterns. She realizes their editing was clunky, the pacing was off. She takes classes, improves her skills, reworks the video, and the new version is a hit. Mark: Mel and Melinda both got a thumbs-down on their "first score"—the quality of the video. But Melinda gave herself a thumbs-up "second score" for how she handled the failure. She was resilient, curious, and resourceful. And in the long run, that second score is the only one that matters for growth. Michelle: I love the 'second score' idea. It's like you're taking back control. The first score is about them, the second score is about you. It reframes the whole game. It’s not about whether you win or lose, but how you play the next round. Mark: That's it exactly. It transforms you from a passive victim of feedback into an active agent of your own learning. Michelle: So this is how you 'pull' learning, instead of just getting 'pushed' by feedback. You're not waiting for someone to deliver it perfectly; you're actively mining for the gold, no matter how messy the delivery is.
Synthesis & Takeaways
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Mark: Ultimately, the book argues that becoming a skillful receiver of feedback isn't about agreeing with everything or developing an impenetrable suit of armor. It's about developing the emotional and intellectual resilience to find the value, or as the authors quote from an old joke, to find the "pony in the dung heap." Michelle: That's a vivid image. It’s about assuming there's something of value in there, even if it's buried. Mark: It’s about seeing every piece of feedback, no matter how poorly delivered, as a piece of data. It’s data about the other person's perspective. It's data about how you're perceived. It might not be the whole truth, but it's a truth. And that data is always, always useful. Michelle: It makes you realize the real skill isn't just for your career, it's for your relationships, your self-awareness... everything. It's a fundamental life skill. It leaves me wondering, what's the one piece of feedback I've been resisting that might actually hold a kernel of truth? Mark: That’s the question, isn't it? And it's a question worth asking. We'd love to hear your stories about this. What's the hardest feedback you've ever received, and what did you learn from it? Find us on our socials and share. Michelle: Your stories help all of us learn. Mark: This is Aibrary, signing off.